Video
I started cutting video out of necessity, making music videos and promos for my group when we couldn’t afford to hire anyone else. That turned into a real foundation in video production. Now I handle every part of the process — shooting, editing, sound design, scoring, and motion graphics.
I mainly cut in Adobe Premiere, grade in DaVinci Resolve, and build out visuals with Illustrator and Photoshop. I produce original music and sound in Ableton Live and Pro Tools to keep everything cohesive. Whether it’s documentary work, promo, or concept pieces, I like building video that feels clean, story-driven, and finished front to back.
COTN COMEBACK! — Train Tracks Promo
I concepted, directed, edited, and scored this teaser as a self-initiated promo for Audio Anthology: World 1. It reimagines my group, Children of the Night (COTN), as a 1970s rock band staging a dramatic reunion tour in 1983.
The video blends visual cues from Serpico, A Panic in Needle Park, The Song Remains the Same, and vintage Hendrix documentaries, with era-authentic sound and typography to feel like unearthed archival footage. The interviews are real, pulled from press interviews we did between 2012 and 2014, with press photos and videos from that time repurposed to bring this fictional world to life.
I handled all creative roles, from edit to music, with everything built to match the look and language of the time. I also designed a 60s-70s inspired, stripped-down version of the original COTN logo, which floats through the on-screen animations.
The project remains unreleased as I continue building other Audio Anthology worlds with different artists. This teaser, along with the music featured in the Audio section of this page, sets the tone for World 1 — blending music, story, and worldbuilding.
The Christopher — Property Story Format
I produced, shot, edited, and sound designed this short film as part of Breaking Ground’s Property Story Format series. The goal was to reframe how supportive housing is presented to applicants by using real stories and honest, everyday moments.
I started with over 30 minutes of interviews and footage, then cut it down into a clear, digestible format that applicants can actually connect with.
This video set the tone for the entire PSF series. I created the framework based on this structure so anyone on the team can follow it and keep the same energy across future property videos.
The music was scored and produced in Ableton Live to match the story.
I produced, shot, edited, and scored this video as part of Breaking Ground's Property Story Format series. Like The Christopher, this one highlights Domenech, another supportive housing residence in New York. I condensed over 30 minutes of footage into a short, digestible story for applicants, building on the PSF structure I developed to keep the narrative clear, human, and consistent across all our properties.
The Domenech — Property Story Format
Edwins Place — Property Story Format
I produced, shot, edited, and sound designed this short film on Edwin’s Place as part of Breaking Ground’s Property Story Format series. This followed the framework I established with The Christopher, expanding the series to highlight different buildings for internal and applicant-facing use.
These videos were created to replace traditional flyers, which were not effectively communicating the strengths of each property to applicants. The goal was to give people a clear sense of the buildings, the community, and the support available.
For Edwin’s Place, I condensed over 30 minutes of interviews and footage into a focused, accessible format designed to help leasing and programs staff connect with applicants and boost move-ins.
The project was edited using Descript and Adobe Premiere, with original music composed and produced in Ableton Live to support the pacing and tone.
Win4 Song Teaser – Social Motion Promos
For World's Fair's satirical single “Win4” off their sophomore album New Lows, I created a set of teaser videos — one for each artist featured on the track — tailored to match their voice and energy. The teasers channel the tension and surrealism of New York’s racial climate through layered sound and stylized visuals.
The tone pulls from anime like Golgo 13, PlayStation-era stealth games like Metal Gear Solid, and the militant energy of groups like Public Enemy and NWA. I handled sound design, editing, and motion by blending cheesy stock gunshots with anime samples and lo-fi textures to create something cinematic but intentionally rough around the edges. Visually, I built crosshair overlays and scanline effects in Photoshop and Illustrator, then animated the piece in Premiere and LumaFusion to give it the feel of a distorted broadcast. It’s meant to provoke and punch through the feed like a bootleg signal you weren’t supposed to catch.
The song itself was produced by Black Noi$e and NoLife.
Role: Concept, Sound Design, Video Editing, Motion Design, Visual Design, Animation, Sample Curation, Art Direction